Veronica Anne Salinas (she/they) is a Chicago-based artist, writer, editor, and Deep Listener. Her work explores artistic research through sound, text scores, performance, improvisation, geomancy, field recordings, archives, soundwalks, and experimental narratives.
Her writing on sound has been published with the American Religious Soundscapes Project (ARSP), in the anthology Latina Outsiders: Remaking Latina Identity (Routledge, 2019), Decoder Magazine, Bitch Magazine, Oxford American and at the International Conference on Sonorities Research (II CIPS Sonoridades Fronteriças). She has exhibited sound work at the Omaha Under the Radar Festival (Omaha, NE), Elastic Arts (Chicago, IL), Experimental Sound Studio (Chicago, IL), Art League Houston (Houston, TX), Sala Diaz (San Antonio, TX), and Cities and Memory (UK).
She holds an MFA in Sound from the School of the Art Institute of Chicago, received a BA in English and Creative Writing from the University of North Texas, and is currently studying at the Center for Deep Listening at Rensselaer Polytechnic Institute. Veronica is a teaching artist with the Midwest Society for Acoustic Ecology (MWSAE) and is currently the digital editor at the Oxford American. You can find more of her work at https://www.veronicaannesalinas.com.