Join us at sunrise on Make Music Day in a public, participatory performance of Dean Rosenthal: Stones/Water/Time/Breath led by MSAE founder Eric Leonardson
Peggy Notebaert Nature Museum
Wednesday, September 7
- 2430 N. Cannon Dr., Chicago IL 60614
- Phone: 773-755-5100
Enjoy this once-a-month chance to explore the Peggy Notebaert Nature Museum kid-free. Stroll through the exhibits, including the Judy Istock Butterfly Haven, with a craft beer or a glass of wine. Bring your friends and enter the trivia competition or play board games while you listen to live music. Meet some of our resident animals at a live critter connection.
This month’s theme: The Sounds of Summer- Music of the Night
Midwest Society for Acoustic Ecology members and local musicians KG Price (percussion), Jen Hill (cello), Frank Harrer (invented instruments), and Christopher Preissing (flute) will engage you in their nature inspired music.
Join us for a soundwalk led by Eric Leonardson exploring our nighttime soundscape.
There is a symphony to witness outdoors on a summer night- from the wind rustling through the trees to a chorus of cicadas. Learn how nature has been one of the world’s best musical inspirations.
JOIN YOUR NEIGHBORS IN SOUNDWALKS WITH CHICAGO TEACHING ARTISTS FOR A UNIQUE OUTDOOR EXPERIENCE IN OUR SOUND ENVIRONMENT AS A LISTENER AND PERFORMER OF YOUR SOUNDSCAPE Chicago Park District’s Night Out in the Parks soundwalks series explore our relationship the sounds around us. Discover the […]
You’re invited to come to a soundwalk at the Pullman National Monument during the Tenth Annual Chicago Calling Arts Festival and Chicago Artists Month. This event is co-presented by the Pullman National Monument, Outdoor Afro, Midwest Society for Acoustic Ecology and Borderbend Arts Collective. It is also co-sponsored by Pullman Historic Site.
Report, photos, and audio by Christopher Preissing
On Saturday, July 18 (World Listening Day 2015), Dan Godston led a soundwalk at Indiana Dunes National Lakeshore’s Miller Trail. In spite of predictions for extremely hot and humid temperatures, nine hearty listeners braved the heat on what turned out to be a beautiful warm and breezy day.
Starting at the Paul H. Douglas Center for Environmental Education, Dan introduced R. Murray Schafer and his seminal book, Soundscape: Our Sonic Environment and the Tuning of the World, and in keeping with this year’s H2O theme, Rachel Carson’s The Edge of the Sea, and Jerry Dennis’ The Living Great Lakes. National Park Service Ranger Steve Rodriguez hosted the event on behalf of the IDNL, and provided materials with which the soundwalkers created text and visual images based on passages from the books. We have been collaborating with IDNL on programs at the Douglas Center annually since 2010!
To introduce the soundwalk Dan described two types of engagement: the first consisting of active listening, the second including active engagement with the environment. On top of a small dune through which the trail passes, we stopped to make sound by hand with leaves, wood, and the sand at our feet. Following that acoustic interaction with the environment, we walked over the wood bridge that spans the marsh.
Audio recording of the soundwalk:
The “H2O” theme for World Listening Day 2015 drew attention to water as a metaphor and reality; essential for life and now becoming the greatest commodity of the 21st century. At the end of the bridge, Dan had left two containers for pond water and branches with which to make sound and feel the water. In both instances soundwalkers participated joyfully, and reported these interactions as an important component of the experience. “When we were making sounds it felt very childlike, which brought to mind a lot of what kids’ play is just making sound for the joy of making sound.”
Sound walkers described listening without the other senses as “a good way to keep your focus;” that “there’s competition between the senses” as well as “for what you want to listen to;” and that “it was sensory overload.” Some additional comments include: “Cottonwood trees can be very loud.” “It’s very squeaky when you walk.” “I never paid attention but different trees make different sounds. I wondered how the birds and the insects take cues from that and how it affects what they do.” There was also a brief discussion around how our ears and brains actively filter various sounds in the environment, whereas microphones hear everything.
More photos are in our Album at https://goo.gl/photos/mGkjy3QrRnFWi3bc7
This week, Chicago Tribune Architecture Critic, Blair Kamin and I had a good chat about the positive role of sound in the design and experience of urban spaces. While noise problems at O’Hare Airport and Wrigley Field gain attention, we focused ways that sound reduces […]
Mixage Fou and the Midwest Society for Acoustic Ecology invite you to participate in the
6th Annual Mixage Fou (Crazy Mix) Sound Bank and the 6th annual Mixage Fou International 80 Second Sound Competition.
Mixage Fou Chicago Sound Bank: Urban Wilderness
What is “wild” about life in the city? How does nature in the city sound? What sounds define a city’s identity? The MSAE invites you to submit original field recordings that reflect and reveal the diverse soundscapes of Chicago and vicinity. Materials submitted to the Sound Bank must be covered by a Creative Commons license as they may be used by participants of the International Sound Competition part of the call (see below). Recordings should be as high quality as possible and suitable for processing as source materials. Deadline for submission is September 27. Download the complete call for additional details.
Mixage Fou International 80-Second Sound Competition
Beginning on October 4 all sounds in the Mixage Fou Sound Bank (sounds from Chicago and from around the world) will be available for the creation of original sound pieces in the following categories: stereo, binaural (headphone 3D sound), surround 5.1, surround Auro 3D 9.1 (height consideration). All creative digital and analog sound techniques are allowed, but only sounds from the Sound Bank may be used. Works may be music compositions, sound narration, soundscapes, crazy mixes, etc. The duration is limited to 80 seconds. Sound compositions should be uploaded directly to www.mixagefou.com. The deadline for submission of original sound pieces is November 16. Download the complete call for additional details.